Click here to see the video breakdown showing SSVFX work completed on BBC’s Ripper Street’s season 1 for Tiger Aspect. SSVFX created all the visual effects on this 1889 London drama. A big thank to all my artists who made this show look wonderful.
Click Read more below to see the before and after gifs.
SSVFX spent over a year working on all the previs for A Good Day to Die Hard. Part of that previs was the taxi flip sequence. We then decided to go one step further by creating these shots.
—SSVFX work on A Good Day to Die Hard showcased on fxguide HERE.
SSVFX have completed VFX work on John Moore’s A Good Day to Die Hard. SSVFX were responsible for all of the films Previs, lead by Previs Supervisor Hubert Montag, which took over a year to complete, Postvis and Predator Drone shots.
It was great working alongside Visual Effects Supervisor Everett Burrell, Visual Effects Producer Amber Kirsch and their VFX team.
Previs, Shots & Breakdowns coming soon.
Click HERE for the Trailer.
SSVFX have completed VFX work on BBC’s Ripper Street’s season 1 for Tiger Aspect.
SSVFX created all the visual effects on this 1889 London drama. It was great to be part of the production working closely with the directors & producer Stephen Smallwood bringing Victorian London to life. I especially enjoyed working with the talented Mark Geraghty who was the shows Production Designer.
A big congrats to all our fantastic artists who worked on this show especially my uber team in our ‘Dawn’ Room.
Visual effects breakdowns coming soon.
SSVFX have begun VFX on Ruairi Robinson’s feature debut Last Days on Mars.
It is great to be working again with VFX Supervisor Adam McInnes and his VFX team, Peter Hartless, Keith Mason.
It’s going to be EPIC! Lots of huge awesome VFX in this one. Watch this space.
VFX work has been completed on Aisling Walsh’s ‘Loving Miss Hatto’. Written by Victora Wood for the BBC, In particular, SSVFX completed a recreation of London’s Thames embankment set in 1960.
17 of us in SSVFX worked this project. Well done to all our artists for producing a great set of visual effects for the film.
I have just won a VES Award for my work as a VFX Supervisor on Game of Thrones.
Outstanding Supporting Visual Effects in a Broadcast Program
Thanks to all my artists in SSVFX who contributed to this, especially Sarah Mooney, VFX Producer and Nicholas Murphy VFX Production Assistant.
Congratulations to Adam McInnes, Lead VFX Supervisor & his team who is also won along side me. Big thanks to all at HBO, Holly, Dan, David, Carolyn, Greg & Jon.
For more info on Game of Thrones work click here. And here to watch breakdowns on youtube.
In the 10th Annual VES Awards, I have been nominated for my work as a VFX Supervisor on Game of Thrones.
Outstanding Supporting Visual Effects in a Broadcast Program
A big thank you shout out to all my team of artists who contributed to this, especially Sarah Mooney, VFX Producer and Nicholas Murphy VFX Production Assistant who played such a big part in GoT’s success.
Also congratulations to Adam McInnes, Lead VFX Supervisor who is also nominated along side me.
For more info on Game of Thrones work click here. And here to watch breakdowns on youtube.